Light Coral Striker Transparent Bullseye Sheet 1205
- Description
- Working Notes
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The Handy Sheet in 3mm is approximately 280 x 250 x 3mm (the dimensions may vary slightly depending on the sheet)
The Thin Sheet in 2mm is approximately 250 x 210 x 2mm (the dimensions may vary slightly depending on the sheet)
Compatible with COE090.
Colours That Strike
Many glasses that Bullseye produces appear pale or even colourless in their cold form but “strike” or mature to a target colour when fired to the right temperature. These styles are marked with the symbol above.
Not recommended for Stain Glass or Mosaics as Kiln required to achieve colour shown
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Striker
This style may not reveal (strike to) its target colour until fired.
Cold Characteristics
Striker. Transparent clear. On edge, resembles Clear Transparent (001101). Note the image shows the final colour after heat - so not recommended for leadlight unless you want to put the sheet in the kiln first.
Contains
Lead
May React With
Selenium, Sulphur
Working Notes
Colour usually deepens on firing. Possible dark interface reaction with selenium and/or sulphur glasses (000137, 001122, 001125, 000124, 000125, 001137, 001437). Less viscous (softer) than most other glasses. Some gold-bearing striking glasses, like this one, should be fired with a 2-hour hold at 1225°F during the initial stages of the firing cycle. If fired without this hold, they may not strike at all, or they may strike but appear spotty and have a blue-brown cast, as opposed to the desired target colour. This full-fuse schedule effectively strikes these glasses:
RATE TEMPERATURE HOLD TIME * 1225ºF 2:00 600ºF 1490 0:10 9999 900 ** * The initial rate of heat is not a critical factor in successfully striking gold-bearing glasses. Choose an initial rate of heat appropriate to the scale and design of the project that you are firing.
** The remainder of the cycle depends on the thickness of the piece. Consult the Bullseye Annealing Chart. For colour-sensitive projects, we recommend testing the cycle you plan to use by fusing a small sample of a similar setup in the same kiln as the project to best predict final colour results.