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Ruby Red Striker Tint Transparent Bullseye Frit 1824

Original price $6.63 - Original price $19.00
Original price
$6.63
$6.63 - $19.00
Current price $6.63
  • Description
  • Working Notes
  • Firing Schedule
  • Available in Powder or Fine grade frit and in a sample size of 30grams or a 5oz Jar (141gram)

    Made from crushed, screened, and magnetically cleaned Bullseye Compatible sheet glass.

    The colour of the frit in its unfired and fired states may differ greatly. In application, colour saturation may vary. Thin layers may be lighter in colour. Thicker layers may be darker and more saturated in colour.

    Colours That Strike


    Many glasses that Bullseye produces appear pale or even colourless in their cold form but “strike” or mature to a target colour when fired to the right temperature. These styles are marked with the symbol above. 

    Not recommended for Stain Glass or Mosaics as Kiln required to achieve colour shown

  • Striker

    This style may not reveal (strike to) its target colour until fired.

    Cold Characteristics

    Appears close to clear with blue/green tints in raw form.

    Working Notes

    Colour usually deepens on firing. Possible dark interface reaction with selenium and/or sulphur glasses (000137, 001122, 001125, 000124, 000125, 001137, 001437). Less viscous (softer) than most other glasses. Some gold-bearing striking glasses, like this one, should be fired with a 2-hour hold at 1225°F during the initial stages of the firing cycle. If fired without this hold, they may not strike at all, or they may strike but appear spotty and have a blue-brown cast, as opposed to the desired target colour.

  • This full-fuse schedule effectively strikes these glasses:

    *The initial rate of heat is not a critical factor in successfully striking gold-bearing glasses. Choose an initial rate of heat appropriate to the scale and design of the project that you are firing.


    **The remainder of the cycle depends on the thickness of the piece. Consult the Bullseye Annealing Chart. For colour-sensitive projects, we recommend testing the cycle you plan to use by fusing a small sample of a similar setup in the same kiln as the project to best predict final colour results.

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